for the first time again, i felt pure happiness, contentment and the simple feeling that i was reaffirmed of myself.
more than i thought it could be.
as every road meets its dead end



as much as i want to deny this, but by experience, it seemed like the point actually holds true if i am going to compare the relationships between my gay and lesbian friends. i counted and named gay and lesbian friends inside my head and what i found out was these:
generally, among my gay friends, their usual relationships last as fast as overnight to 5 months. although there are still few, which last more than a year or so. but comparing it to the number of my lesbian friends, the fastest i could remember last more than half a year and there were even some, who i knew way back from college, that are still together. one of them is running more than 6years in the record.
i realized that sometimes, as much as we want to be ideal and believe on people, we need to understand that we simply can't. their emancipation actually depends on themselves alone. there is nothing that we could really do than to show them the "harsh reality" that they too have contributed.
*hoping and believing that everyone deserves to be happy at the end, no matter what decision each one makes.



Doon lamang niya napagtanto na mas mapungay ang mga mata ng kabahay sa malapitan kahit nakapikit. Ang dalawang pares ng mga matang halos araw-araw niyang iniisip kung ano'ng tinatago. Ang kanyang mayabang na ilong na kung ilang beses na rin niyang inasam na padausdusan ng kanyang mga daliri hanggang sa marating at madampian ang mapupula nitong labi, na kay tagal naman niya'ng iniisip kung gaano kalambot.
Matagal pinihit ni Alex ang mga mata sa mukha ng nahihimbing na katabi, kinakabisado ang bawat kurba, anggulo hanggang sa pinakamaliit na detalyeng maaring ipagdamot ng dilim ay ginalugad niya. Ninanamnam at inangkin ang napakabihirang sandaling iyun. At sa muling pagkakataon, sinabi ni Alex sa sariling umiibig siya, at tulad din ng dati ay sa taong hindi dapat. Pero naisip niya, siguro sa ngayon ang mahalaga ay alam niyang importante sa kanya ang lalaki, na kinakailangan niyang matutunang ito'ng pahalagahan at tanggapin--- kahit duon lang, kahit mahirap.
Dahan-dahang bubuhatin ni Alex ang braso ni Charles mula sa pagkakadantay. Pagkatapos ay maingat na pipihit patalikod. Subalit hindi niya malalamang didilat ang mga mata ni Charles pagkatalikod niya at pagmamasdan siya nito hanggang sa unti-unti siyang lamunin ng antok.

masalimuot ang kwento ng buhay ni marie, yung mga tipong pwedeng ipadala sa maalala mo kaya at papamagatang "lamat."
isang malapit na kaibigan si marie nung nasa baguio pa ako. naging magkabahay kami, kahatian ng yosi, tagaluto ng pancit canton at hingahan ng mga problema: sa buhay, pera, lovelayp at maging sexlayp. halos kilala na nga namin ang isa't isa, na wala na kaming pwedeng matago pa.

in the eyes of a young fellow, life is all bout having fun and probably for most of us, this is what we keep on struggling to regain back. free spirited, could not care less and spontaneous. from which, the only thing that drives us is satisfying our own pleasures, whatever that may be. we all had our own shares of it and sometimes reminiscing those moments are still sweet as the beer that we hold in our hands and tastier than the stick we smoke. as if it seemed like everything is completely different from before. but come to think of it, nothing really changed among those things. it is actually us, who have changed. we were changed and continuosly being changed.
y tu mama tambien (and your mother too) is a very memorable film for me and you may say that i have my own biases on why i chose it to top my film list. but basically, the film was the first foreign film that i have seen and made me hunt and watch more films on the same genre. at first, i find its pace very sluggish, boring and somehow confusing. if not for the sex scenes (yes, i also have that immature excitement in me before whenever i see flesh) i probably been sleeping for the rest of the film. until, suddenly i noticed minute details on each scene and how it created a connection as the film progresses. from that point, i felt a sudden urge of looking for significant details. not to mention, watching each films not on what it showing its audience but more on what it is hiding behind it.
the story revolved between the lives of two young boys, julio and tenoch, who came from well off families. they were living and enjoying a decadent teenage life, an epitome of sex, pots, rock and roll. until, one day they got acquianted with ana, the wife of tenoch most hated cousin who came from spain. ana has a gorgeous body and a very free spirited and quite naive personality. they learned that ana wanted to try the beaches of mexico. so two planned in seducing her by inviting her over to a remote beach that doesn't really exist, boca del cielo (mouth of paradise). 
if you'll watch the film thoroughly, you'll notice how the car they are driving symbolizes their lives. fast paced but sometimes would break out and stop. but as the car goes along the road, they would tend to notice the reality outside their lives: poverty, militarization, political instability, crimes and what not. but they will not stop. they will still keep on driving until they reach paradise(pleasure). eventhough they really don't know where they are going. 
while the viewers, atleast for me, will never be the same person again after the film ends. one will realize that eventhough the curtain has been closed, the film will keep on rolling as we recreate it on our own story.



iful woman in italy during the second world war thorugh the voice of a boy admirer.

the story of a group of bohemian friends renting an apartment in the slum areas of new york city. there, they would tackle their issues of love, sexuality, AIDS, drug addiction and how to pay their rent.
it tells the story of two lovers who ran for the sanctuary of argentina after their families didn't agree with their relationship. there, they would realize not only the complications of the relationship but with life itself.